Bob Dylan - Blood On The Tracks (1975)

“Blood On The Tracks” by Bob Dylan (1975)

Release Date: January 17, 1975
Produced by Bob Dylan
Genre: Folk Rock, Classic Rock
Label: Columbia
Chart Positions: #1 (US, Canada, New Zealand), #2 (Norway), #4 (UK, Australia), #5 (Netherlands), #35 (Japan), #45 (Germany), #54 (Ireland)
Certifications: 2xPlatinum (US), Platinum (UK, Canada)

Singles: “Tangled Up In Blue” #31 (US)

Blood on the Tracks is the fifteenth studio album by American singer-songwriter Bob Dylan, released on January 20, 1975 by Columbia Records. The album marked Dylan's return to Columbia Records after a two-album stint with Asylum Records. Dylan began recording the album in New York City in September 1974. In December, shortly before Columbia was due to release the record, Dylan abruptly re-recorded much of the material in a studio in Minneapolis. The final album contains five tracks from New York and five from Minneapolis.

“Blood On The Tracks” by Bob Dylan (Click Here)

In a 1975 radio discussion with Mary Travers, Bob Dylan stated that “Blood On The Tracks” was a personally painful work. He has claimed it was not autobiographical yet many of the songs seem to mirror what he was experiencing during the break-up of his marriage.

“Blood On The Tracks” is one of Dylan’s best selling albums having reached #1 in the US, Canada and New Zealand. The album reached #2 in Norway as well as #4 in the UK and Australia.

Initially, Dylan considered recording Blood on the Tracks with an electric backing group, and contacted Mike Bloomfield who had played lead guitar on Dylan's Highway 61 Revisited album. When the two met, Dylan ran through the songs he was planning to record, but he played them too quickly for Bloomfield to learn. In the end, Dylan rejected the idea of recording the album with a band, and instead substituted stripped-down acoustic arrangements for all of his songs.

Dylan had finished recording and mixing, and, by November, had cut a test pressing on the album. Columbia began to prepare to release the album before Christmas.

Dylan played the test pressing for his brother, David Zimmerman, who persuaded Dylan the album would not sell because the overall sound was too stark. Robert Christgau also heard the early version of the album and called it "a sellout to the memory of Dylan's pre-electric period". At his brother's urging, Dylan agreed to re-record five of the album's songs in Sound 80 in Minneapolis, with backing musicians recruited by David. The new takes were accomplished in two days at the end of December 1974. Blood on the Tracks was released into stores on January 20, 1975.

While recording the album Dylan kept a tiny notebook in which he worked out lyrics and other aspects of the songs that became the album "Blood On The Tracks." This notebook and others numbering up to around 6,000 pieces have been kept in a secret archive for several decades. He sold this archive for $20 million in 2016.

“Tangled Up In Blue,” the albums only single release, was a minor hit reaching #31 in the US but failed to chart anywhere else. The Telegraph has described the song as "The most dazzling lyric ever written, an abstract narrative of relationships told in an amorphous blend of first and third person, rolling past, present and future together, spilling out in tripping cadences and audacious internal rhymes, ripe with sharply turned images and observations and filled with a painfully desperate longing."

During the song Dylan sings "some are carpenter's wives," which was a reference to Laura Nyro. NYro had been part of the New York music scene in the late 1960s and was very much inspired by Dylan. You may remember some of the hits she wrote such as "Wedding Bell Blues" and "Stoned Soul Picnic" (both hits for The Fifth Dimension), "And When I Die" (Blood Sweat and Tears, "Eli's Coming" (Three Dog Night) and "Stoney End" (Barbra Streisand).

The sixth verse, which begins: "I lived with them on Montague Street," is a direct reference to John Lennon. Lennon had moved into Ringo Starr's Montague Square apartment in 1968 (with Yoko) after Cynthia kicked him out.

Dylan wrote "Tangled Up In Blue" in the summer of 1974 at a farm he had just bought in Minnesota. He had been touring with The Band earlier that year. Dylan sometimes introduced this on stage by saying it took "10 years to live and 2 years to write." Dylan said he wrote this song after spending an entire weekend mesmerized by Joni Mitchell's album "Blue."

"Tangled Up In Blue"

Album highlight “Shelter From The Storm” has been covered by several musicians through the decades. Dylan got the title from a line in Creedence Clearwater Revival's "Who'll Stop The Rain?": "I went down Virginia, seekin' shelter from the storm..."

In his April 1975 review for The New Republic J.T. Lhamon Jr writes, "The last verse of the last song on the album describes how the performer finds his highest art by attending to himself in order to attend to others: 'Life is sad, life is a bust / All you can do is what you must / You do what you must do and you do it well / I do it for you, ah honeybaby, can't you tell?' And that's it right there: that immediate consistent and thorough involvement with an audience both characterizes rock as the primary popular form of our time and determines it's promising esthetic."

Bob Dylan (1975)

Link to “Blood On The Tracks” (Click Here)

BOB DYLAN

Joni Mitchell - Blue (1971)

“Blue” by Joni Mitchell (1971)

Release Date: June 22, 1971
Produced by Joni Mitchell
Genre: Folk
Label: Reprise
Chart Positions: #15 (US), #9 (Canada), #3 (UK), #24 (Norway)
Certifications: Platinum (US), 2xPlatinum (UK)

Singles: “Carey” #27 (Canada), #93 (US), “California” (No chart data)
Best Tracks: ALL TRACKS. Again Joni gives us a solid collection of music.

“Blue” was Joni’s fourth studio album and her first to reach the Top Ten in her native homeland Canada.  “Blue” is regarded, by music critics, to be one of the greatest albums of all-time.

“Blue” by Joni Mitchell (Click Here)

The pivotal experience in Mitchell's life that drove the emergence of the album was her relationship with James Taylor. She had broken up with Graham Nash and begun an intense relationship with Taylor by the summer of 1971, visiting him on the set of the movie Two-Lane Blacktop, the aura of which is referred to in "This Flight Tonight". The songs "Blue" and "All I Want" have specific references to her relationship with Taylor, such as a sweater that she knitted for him at the time, and his heroin addiction. Despite his difficulties, Mitchell evidently felt that she had found the person with whom she could pair-bond in Taylor, and was devastated when he broke off the relationship. She retreated to the studio to record Blue.

In 1979 Mitchell reflected, "The Blue album, there's hardly a dishonest note in the vocals. At that period of my life, I had no personal defenses. I felt like a cellophane wrapper on a pack of cigarettes. I felt like I had absolutely no secrets from the world and I couldn't pretend in my life to be strong or to be happy. But the advantage of it in the music was that there were no defenses there either."

Mitchell continued to use alternate tunings on her guitar to allow easier access to augmented chords and notes in unexpected combinations. Due to the stark and bare revelations in the album, when it was first played for Kris Kristofferson he is reported to have commented, "Joni! Keep something of yourself!

Two singles were released from the album “Carey” was Joni’s follow-up single to her classic hit “Big Yellow.” In Canada the song fared well reaching #27 on their singles chart. Mitchell has stated that the "Carey" in question was a memorable character named Cary Raditz (or "Carrot" Raditz), a cane-carrying chef with bright red hair that she met in Matala during her European odyssey of 1970. At times it was rumored the song was about James Taylor. The second single “California” was recorded while Joni was living in France but longing for the creative climate she had experienced in California. In the song she expresses the depth of her longing for California by singing that if she was back in California she would even be willing to kiss a policeman, despite considering herself a member of the counterculture.

Little Green

“Little Green,” an album highlight was written by Joni about the daughter she had given up for adoption in 1965, when she was a poor folk singer in Toronto. The existence of her daughter, originally called Kelly Dale, was not publicly known until 1993, when a roommate from Mitchell's art-school days in the 1960s sold the story of the adoption to a tabloid magazine. Mitchell commented on the situation in an interview quoted in a 1998 article: "I was dirt poor. An unhappy mother does not raise a happy child. It was difficult parting with the child, but I had to let her go." Mitchell was reunited with her daughter, Kilauren Gibb, in 1997.

In his review for Rolling Stone Magazine, Timothy Crouse wrote regarding the song "All I Want," The accompaniment - James Taylor and Joni strumming a nervous, Latin-flavored guitar part over a bass heartbeat that throbs throughout the song - perfectly expresses Joni's excitement and anticipation."

The title track, "Blue," was supposedly penned for James Taylor. Blue is a nickname she gave Taylor during that time period.

James Taylor and Joni Mitchell (1971)

Link to “Blue” (Click Here)

JONI MITCHELL