Pat Benatar - In The Heat Of The Night (1979)

“In The Heat Of The Night” by Pat Benatar (1979)

Release Date: August 27, 1979
Produced by Peter Coleman, Mike Chapman
Genre: Rock, Hard Rock, Pop-Rock, Classic Rock, Alternative Rock
Label: Chrysalis

Chart Positions: #12 (US), #3 (Canada), #8 (New Zealand), #20 (France), #25 (Australia), #98 (UK)
Certifications: Gold (France), Platinum (US), 4xPlatinum (Canada)

Singles: “If You Think You Know How To Love Me,” (No Chart Data), “Heartbreaker” #3 (France), #14 (New Zealand), #18 (Canada), #23 (US), #95 (Australia), “We Live For Love” #3 (France), #8 (Canada, New Zealand), #27 (US), #28 (Australia), “I Need A Lover” #19 (Belgium), #31 (Netherlands), “Rated X” #28 (France)
Other Charting Tracks: N/A
Best Tracks: “Heartbreaker,” “My Clone Sleeps Alone,” “ We Live For Love,” “Rated X,” “So Sincere”

“In The Heat Of The Night” by Pat Benatar (Click Here)

Pat Benatar blast on to the music scene in a big way with her debut album “In The Heat Of The Night,” she was the very pulse of popular music. Her sound, style and look could not go unnoticed. Despite her huge popularity in the US and Canada, the album only made it to #95 in the UK and none of the singles charted in the UK. It wasn't until 1981's "Precious Time" and 1983's "Shadows Of The Night" that Pat had a hit album and single respectively in the UK.

The album included 3 original songs written either by Pat Benatar or her partner Neil Giraldo. Despite the originals the albums was largely full of cover tunes. Three of those covers were written by producer Mike Chapman and his songwriting partner Nicky Chinn. Those three are “If You Think You Know How To Love Me” and “In The Heat Of The Night” (both originally recorded by Smokie) and a cover of the Sweet tune “No You Don’t.” The other covers include John Cougar Mellencamp’s “I Need A Lover,” Nick Gilder’s “Rated X” and Alan Parson’s “Don’t Let It Show.”

“In The Heat of The Night” laid the groundwork for what would become one of the most remarkable careers in rock music. People Magazine called the album, "Perhaps the hottest debut of the year."

The first single released from the album, "If You Think You Know How To Love Me," was Pat's second single in her career. The song was original recorded and released in 1975 by Smokie and was a Top 3 hitting the UK. Pat's release of the song failed to chart and signaled a slow start to her career with Chrysalis records.

But hold on... it wasn't over yet for Pat... the very next single, "Heartbreaker," with its Cars like bass line, garnered the attention of hard rock and FM radio programmers. Before you knew it her voice was on almost every rock and Top 40 station across the US and Canada. Though, the song only reached US #23 it spent a very impressive 18 weeks on the charts and the album was taking off like wildfire. Pat Benatar was instantly a star that could not be ignored.

Though most of the chart success of the album and it's singles happened in 1980, the album itself and the first two singles were released in 1979, thus is a product of the 1970s.

"Heartbreaker" got Pat all the way in the door and the next hit "We Live For Love" kept her in. The song written by boyfriend Neil Giraldo, sounded very similar to Blondie's "Heart Of Glass," though Benatar's song did't hit the top of the charts as Blondie did but it still performed well scoring Pat her second Top 30 hit in the US and made it to #3 in France and the Top Ten in Canada and New Zealand. Benatar was certainly firmly on her way to superstardom.

"We Live For Love" (1979)

John Mellencamp, who at the time was known as John Cougar, just a few months earlier had a hit with "I Need A Lover," a song he wrote and recorded in 1977 and released initially in 1978. His 1978 release did not chart but he did not give up on the song and rereleased it again in 1979 and the song made it to US #28. Pat's hypnotic mid tempo rocking version of "I Need A Lover" was initially released as the b-side to "We Live For Love" but radio programmers in the Netherlands and Belgium picked up the song and it became a hit charting in both areas.

Finally, that brings us to "Rated X," a promiscuous song with a rock steady beat was written by Nick Gilder (Hot Child In The City) and was featured on his 1977 album "You Know Who You Are," which also included the song "Roxy Roller," initially recorded in 1975 by his band Sweeney Todd and then recorded in 1977 by Suzi Quatro. Benatar's "Rated X" was released only in France where it charted at #28.

Other songs that received minor amounts of airplay were; "In The Heat Of The Night," "My Clone Sleeps Alone," "Don't Let It Show" and "No You Don't."

Pat Benatar (1979)

Link to “In The Heat Of The Night” (Click Here)

PAT BENATAR

Bread - Baby I’m-a Want You (1972)

“Baby I’m-a Want You’” by Bread (1972)

Release Date: January 1972
Produced by David Gates
Genre: Soft-Rock, Pop, Adult Contemporary, Easy Listening
Label: Elektra
Chart Positions: #3 (US), #9 (Canada, UK), #23 (Australia)
Certifications: Gold (US)
Singles: “Baby I’m-a Want You” #1 (Canada), #3 (US), #5 (Brazil), #8 (France, Australia), #14 (UK), “Everything I Own” #5 (US), #6 (Canada), #12 (Australia), #32 (UK), “Diary” #15 (US), #20 (Canada), #32 (UK)

“Baby I’m-a Want” was Bread’s fourth studio album released in January 1972. By this point in time Bread had 4 top ten hits with their fifth on the way. They were moving into peak of their career with “Baby I’m-a Want You,” which contained 3 Top 15 hits and was their best selling and highest peaking album in the US and Canada.

“Baby I’m-a Want You” by Bread (Click Here) 

“Baby I’m-a Want You” featured Bread at their peak showcasing both their soft and hard sides. Yes, Bread had a hard edge to them in some of their tracks such as “Mother Freedom” with its crunchy James Griffin guitar solo. They alternate fast songs with slow ones and in doing so help to get the overall effect of expression in-the-round, which their earlier albums lacked. The superb soft rocker "Baby I'm-A Want You" made a brilliant opening which set the tempo for the album. The songs range from wistful sentimentality ("Diary") to spirited protest ("This Isn't What the Government," a poor man's "Taxman" with an anti-war slant).

There is no doubt as to Bread's musicianship, for all its members are accomplished and respected studio musicians. Robb Royer left the group before recording “Baby I’m-a Want You” (though his presence is felt due to a couple of tracks he co-wrote with James Griffin), replaced by the versatile Larry Knetchel. This slight realignment makes this one of Bread's strongest records.

The lead single “Baby I’m-a Want You” was released a few months before the album and reached #3 in the US and #1 in Canada. The song was a big hit throughout the world including Top Ten in France, Australia and Brazil. Written by keyboardist and singer David Gates, who says, "I had written the song on piano, and when we recorded it on piano, it had no life. I went home demoralized because I knew it was a good song. So I tried it on guitar and raised it a whole key, then redid it. It made all the difference in the world." “Baby I’m-a Want You” was certified Gold by the RIAA for US sales.

The second single “Everything I Own” was released a few days after the album and zoomed into the Top 10 in the US, Canada and Australia. The song is a classic known by many music lovers and has been recorded by many musicians including Boy George who took the song to #1 in the UK in 1987.  David Gates wrote “Everything I Own” in honor of his father after he passed. If you listen to the words, 'You sheltered me from harm, kept me warm, gave my life to me, set me free,' it says it all."

"Everything I Own" (1972)

The third and final single “Diary,” was another beautiful and heart-touching song. It wasn’t quite as big a hit as the two previous singles but it did reach #15 in the US and #20 in Canada. This song is about a boy who is in love with a girl. He finds her diary and reads it, only to find out she is in love with someone else. Bread keyboard player David Gates made up the story. The unusual sound that plays through the track is a guitar run through a synthesizer.

Bread 1972

Link to “Baby I’m-a Want You” (Click Here) 

BREAD

Nicolette Larson - Nicolette (1978)

“Nicolette” by Nicolette Larson (1978)

Release Date: September 29, 1978
Produced by Ted Templeman
Genre: Soft-Rock, Country-rock, Pop-rock
Label: Warner Brothers
Chart Positions: #15 (US), #1 (Canada)
Certifications: Gold (US, Canada)
Singles:

“Lotta Love” #4 (France, Canada), #8 (US), #11 (Brazil), #22 (New Zealand), #61 (Japan), #1 (US Adult Contemporary)

“Rhumba Girl” #15 (Canada), #47 (US), #19 (US Adult Contemporary)

“Give A Little” #104 (US), #38 (US Adult Contemporary)

“Nicolette” is Nicolette Larson’s debut album and was released in September 1978 shortly after her 26th birthday.

Amazon link to “Nicolette” (Click Here)

Larson came to public attention singing backup for Neil Young on American Stars 'n Bars and Comes a Time. Her first charting single was Young's composition "Lotta Love" which reached #1 on Billboard's Adult Contemporary chart.

Eddie Van Halen appears uncredited on guitar on "Can't Get Away From You". Michael McDonald and Linda Ronstadt are both credited for providing backing vocals.

There were three singles released from the album, the first was her breakthrough, which to this day remains he biggest hit. “Lotta Love” was written by Neil Young and was first featured on Neil’s 1978 album “Comes A Time” which featured Nicolette Larson singing backing vocals. Nicolette’s version of the song was released shortly after Young’s version. Nicolette took Neil’s simple down home song and turned it into an upbeat sparkling song that contains this tone of optimism about it. A 12” single disco mix of the song was released to favorable response from dance club DJs and the song was played in clubs throughout North America. Having been a worldwide hit it looked as if Nicolette was well on her way to worldwide superstardom. Alas the following singles did not fare as well. She had a few subsequent minor hits but nothing that took storm, as did “Lotta Love.”

"Lotta Love"

The second single “Rhumba Girl” received minor airplay in the US and Canada but did not catch on like the former hit. “Rhumba Girl” was written by Jesse Winchester is a Canadian-American singer/songwriter he has had several hits in Canada including 1970’s “Yankee Lady” and 1981’s “Say What” which was a hit in both the US and Canada. The third single “Give A Little” came and went before anybody could notice it.

A soulful rendition of Sam Cooke’s “You Send Me” is a true album highlight which should have been released as a single. Larson proves with this song that she was a gifted vocalist that could tackle most any genre of song.

 Nicolette Larson (1978)

Link to “Nicolette” (Click Here)

NICOLETTE LARSON

Cher - Dark Lady (1974)

“Dark Lady” by Cher (1974)

Release Date: May 1974
Produced by Snuff Garrett
Chart Positions: #69 (US), #33 (Canada), #86 (Australia)
Certifications: N/A

Singles: “Dark Lady” #1 (US, Canada, Sweden), #4 (France, South Africa), #10 (Norway), #15 (Netherlands), #17 (Australia, Holland), #22 (Belgium), #36 (UK)
“Train Of Thought” #27 (US), #10 (France), #18 (Canada), #84 (Australia)
“I Saw A Man And He Danced With His Wife” #42 (US), #31 (Canada)
“Rescue Me” #82 (Canada)

“Dark Lady” is Cher’s eleventh studio album and her fifth (and final) for MCA Records (the first two were on Kapp-MCA). Released the year following “Half Breed”, “Dark Lady” is very similar, like an extension of that album with an inclusion of a rock edge and a dark edge that did not exist on “Half Breed.” The album was produced by Snuff Garrett. He produced four albums for Cher in the 1970s and also produced a few Sonny & Cher albums as well as Bobby Vee, Gary Lewis and the Playboys. One of the biggest hits he produced is Vickie Lawrence’s “The Night The Lights Went Out in Georgia.”

“Dark Lady” by Cher (Click Here)

After the success of “Half-Breed,” Cher once again chose Snuff Garrett and Al Capps to produce “Dark Lady, her final album for MCA. During that same year, she divorced Sonny Bono, this ended their professional musical ties and television show for a while. Due to the success of previous albums produced by Garrett, “Dark Lady” followed the same narrative ballad style.

"Dark Lady", the album's first single release, reached #1 in the US, Canada and Sweden. The song became Cher's third solo U.S. #1 hit on March 23, 1974, and her last until "Believe" twenty-five years later. It also reached #3 on the US Adult Contemporary chart. "Dark Lady" also charted at #36 in the UK, #4 in France and South Africa, #10 in Norway and the Top 40 in many countries around the world. "Dark Lady" was written and composed by The Ventures' keyboard player, Johnny Durrill. He recalled: "I spent a week in Snuff Garrett's office playing him songs, and Cher ended up recording “Carousel Man.” Later, when I was on tour in Japan with the Ventures, I was writing an interesting song. I telegraphed the unfinished lyrics to Garrett. He said to 'make sure the b#!ch kills him.' Hence, in the song both the lover and fortune teller were killed." Thus, "Dark Lady" may with some accuracy be described as a murder ballad, even though the narrator of its lyrics essentially commits a crime of passion. The "Dark Lady" of the song's title is a gypsy fortune teller in New Orleans with a history of disdain for men (the narrator of the song describes seeing scratches on the inside of the teller's limousine from her previous conquests). The narrator follows the fortune teller's limousine to her lair and pays money for a fortune; as a result of the fortune, she learns that her lover has been unfaithful to her with, "someone else who is very close to you". Advised to leave the fortune teller's shop, never to return, and to forget she has ever seen the fortune teller's face, the narrator returns home in a state of shock, unable to sleep, and then realizes to her horror that she had once smelled, in her own room, the very perfume the fortune teller had been wearing. Sneaking back to the fortune teller's shop with a gun, she catches her lover and the fortune teller "laughing and kissing", and shoots them both to death.

"Dark Lady"

The album’s opening track "Train of Thought," written by Alan O’Day (“Undercover Angel,” Helen Reddy’s “Angie Baby”), was the second single release. Though it was a sizeable hit through various parts of the world it was not quite the hit as “Dark Lady,” the album’s first single. The song is a raw and fast-moving rock track that reached #27 in the US and #9 on the US Adult Contemporary chart.

The third single chart was yet another story song of broken love to make a new love connection. “I Saw A Man and He Danced With His Wife,” a big band styled ballad touches on an emotion Cher was living after her recent divorce from her long-time husband Sonny Bono. The song was even less successful as a single than “Train Of Thought,” just missing the US top 40 making it to #42 and #31 in Canada.

A cover of Fontella Bass’ 1965 #1 hit “Rescue Me,” was a hint at what was ahead for Cher in the late 80s and early 90s.  The song contains a timeless vocal and musical arrangement that has aged very well. In the US the song was released as a promotional single and as a single throughout Europe but it did not chart. It did chart at #86 in Canada.

Bob Stone, who wrote her first success of the 1970s, “Gypsys, Tramps and Thieves,” wrote the albums closing track “Apples Don’t Fall Far From The Tree.” “What’ll I Do” is a cover of the theme song from the 1974 film “The Great Gatsby.” “Miss Subway of 1952” is a tribute to Bette Midler as she sings the lyric, “To my idol the divine.”

Cher (1974)

Link to “Dark Lady” (Click Here)

CHER

Roxy Music - Siren (1975)

“Siren” by Roxy Music (1975)

Release Date: October 24, 1975
Produced by Chris Thomas
Chart Positions: #50 (US), #4 (UK), #8 (Sweden), #9 (Netherlands), #15 (Norway), #3 (New Zealand)
Certifications: Gold (UK)
Singles: “Love Is The Drug” (#30 US, #2 UK, #3 Canada, #9 Netherlands, #15 Belgium, #18 Australia, #24 New Zealand, #39 Germany
“Both Ends Burning” (#25 UK)


“Siren” is the fifth studio album by English art-rock band “Roxy Music. This is the album that put Roxy Music on radio stations across the US due to their hit “Love Is The Drug.”

"Siren" by Roxy Music (Click Here)

“Siren” was well received by critics upon it’s release with many of them putting it amongst the best of the year. In the 1975 Pazz and Jop critics poll it was voted the 13th best album of 1975. Cream Magazine music critic, Dave Marsh, rated the album as the 4th best album of 1975 in his Book of Rock Lists. The album was ranked number 371 on Rolling Stone magazine's 2003 list of the 500 greatest albums of all time.

The cover features band member Bryan Ferry's then-girlfriend, model Jerry Hall, on rocks near South Stack, Anglesey. Graham Hughes, working during August 1975, took the cover photo directly below the central span of the bridge on a south-side slope. He worked from sketches produced by Antony Price; with photography featuring Hall striking various poses. The idea for the location was Bryan Ferry's, after he saw a TV documentary about lava flows and rock formations in Anglesey, in which South Stack was heavily featured. Hall' recalled in her autobiography, Tall Tales that the blue body paint she wore to look like a mythical siren would not wash off. According to the model, Ferry took her back to his house to help her remove the paint. Jerry Hall left Ferry in 1978 to date Mick Jagger.

Producer Chris Thomas has worked with the most popular British musicians including The Beatles, Pink Floyd, Queen, Elton John, Paul McCartney, Pete Townshend and a host of others. Thomas produced a total of five albums for Roxy Music including “For Your Pleasure,” “Stranded,” “Country Life,” “Siren” and the live album “Viva.” Thomas met Bryan Ferry during recording sessions for Procol Harum.

The first single “Love Is The Drug” originated as an Andy Mackay instrumental which later Bryan Ferry added lyrics. The song was an instant hit in the UK where it zoomed up the charts to #2. It was kept off the top of the UK charts by a re-release of David Bowie’s “Space Oddity.” “Love Is The Drug” was their first song to bring attention to Roxy Music in the US where it received a good amount of airplay on progressive rock radio stations and eventually jumping over to Top 40 radio. The song peaked at #30 on the US Billboard chart.

"Love Is The Drug"

The second single “Both Ends Burning” was not nearly as successful but did manage to squeak out a #25 peak position on the UK singles chart. Singer Bryan Ferry recalled to The Mail on Sunday June 28, 2009: "We were on a punishing world tour schedule in 1975 and there were a lot of late nights to get the Siren album finished on time. I guess this was the inspiration behind this song.

Other album highlights include the Bryan Ferry/Phil Manzanera written “Whirlwind” and the Bryan Ferry/Eddie Jobson written “She Sells,” the latter a quirky song that is reminiscent of earlier classic such as “Do The Strand” and “Editions of You.”

Roxy Music (1975)

Roxy Music Siren (Alternate Album Cover 1975)

Link to “Siren” (Click Here)

ROXY MUSIC

Carly Simon - Boys In The Trees (1978)

“Boys In The Trees" by Carly Simon (1978)

“Boys In The Trees” was one of Carly Simon’s most successful studio albums in her entire career. The album reached #10 in the US and #4 in Canada as well as #27 in Australia. “Boys In The Trees” signified a change in musical style for Carly capitalizing on a stylishly serene approach.

"Boys In The Trees" by Carly Simon (Click Here)

After her huge success with the James Bond theme “Nobody Does It Better,” Carly went into the studio with producer Arif Mardin to record “Boys In The Tree.” During this time period Mardin’s productions were known to incorporate bits of R&B and disco into other genres such as pop and jazz. In 1978 Mardin also produced Chaka Khan’s album “Chaka” which includes the classic “I’m Every Woman”

 Three singles were released from “Boys In the Tree” including the international hit “You Belong To Me,” written by Doobie Brothers leader Michael McDonald and Carly Simon. The song was originally recorded by the Doobie Brothers in 1977 and featured on their album “Livin’ On The Faultline.” This was not the first Doobie Brothers song Carly recorded, she also recorded “It Keeps Me Runnin’” a song she featured on her 1976 album “Another Passenger.” Carly took “You Belong To Me” to #6 in the US and #5 in Canada. The second single was a cover of the Everly Brothers classic “Devoted To You,” this was a charming duet performed with James Taylor, this song was not as big a hit as the previous but managed to make it to US #36 and Canada #50. The third single “Tranquillo (Melt My Heart),” written by Carly Simon, James Taylor and Arif Mardin, was a disco tinged rocker that failed to chart but made a great album track.

"You Belong To Me"

Highlights on the album include “De Bat (Fly In Me Face)” a calypso influenced reggae tune shows off Carly’s sense of humor along with backing vocals by James Taylor. “In A Small Moment” is a great predecessor to her work on her 1981 album “Torch.”

The album won a Grammy award for Best Album Package, which went to Tony Lane, and Johnny Lee, who designed the album cover and packaging.  The song “You Belong To Me” received a Grammy nomination for Best Female Pop Vocal Performance but lost to Anne Murray’s “You Needed Me.”

CARLY SIMON

Maria Muldaur (1973)

"Maria Muldaur" by Maria Muldaur (1973)

Considered a one-hit wonder, Maria Muldaur, had been on the music scene for ten years performing with various musicians and bands including a band her then husband, Geoff Muldaur, was in called Jim Kweskin and The Jug Band. After the Jug Band broke up Geoff and Maria released tow albums as a duo in 1968 and 1972. Finally in 1972 Maria began her solo career and released her first album "Maria Muldaur" in 1973. Her album featured some of the great musicians of the time including David Lindley, Ry Cooder, Andrew Gold and Dr. John.

"Maria Muldaur" by Maria Muldaur (Click Here)

The album featured a mostly bluesy New Orleans jazz style, a sound that Dr. John had been known for throughout his career. The track "Any Old Time," written by country singer/songwriter Jimmie Rodgers, features a decidedly blues vocal with New Orleans styled piano and Hawaiian influenced guitar by David Lindley (we remember Lindley for his classic tune "Mercury Blues"). "Three Dollar Bill" is one of the album's highlights. Co-written by Mac Rebennack (aka Dr. John), "Three Dollar Bill" showcases the great Dr. John in a great horn arrangement and the prolific Jim Gordon on piano. Jim Gordon has worked with many luminaries including Elvin Bishop, Paul Butterfield, Linda Ronstadt, Delaney Bramlett, Jessi Colter, Waylon Jennings, Bonnie Raitt, The Band, Rod Stewart, Rita Coolidge and many others. Andrew Gold, singer and songwriter of the song, "Thank You For Being A Friend" was prominently featured playing acoustic guitar on the jazzy "Vaudeville Man," a song in which Dr. John tinkles the ivories. Maria does a charming rendition of Dolly Parton’s “My Tennessee Mountain Home.”

The album's prominent highlight is the smash single "Midnight At The Oasis" which reached #6 in the US and #21 in the UK in 1973. The song enjoyed a major amount of radio airplay that lasted several years. The song impressed critics and peers alike so much that it was nominated for Record of the Year and Song of the Year at the 17th Annual Grammy Awards held in 1975.

David Nichtern, songwriter of “Midnight At The Oasis said, "I wrote the song before I started working with Maria... the details are a little bit intimate, but let's just say there was a girl, a waterbed, feta cheese and grape leaves, and a Martin 000-18 (acoustic guitar) near by.

I actually produced the demo (in Woodstock) that got Maria her Warner Bros solo artist deal, so I was on the map already with them to that extent. On that demo was a song I wrote called 'I Never Did Sing You a Lovesong' which made it onto her album as well as a track that Wendy Waldman wrote called 'Mad Mad Me (I Love You)' which made it onto the album as it was so I got producer credit for that track.
My memory is that I came out to LA and got to play rhythm guitar on several tracks. From there I got more and more involved with the record. At a rehearsal, I played 'Midnight at the Oasis' for Lenny Waronker and he liked it and wanted to include it on the record. We recorded it with some great musicians - Jim Gordon on drums (who later went crazy and killed his own mother and went to prison for life I think). Freebo played bass, Mark Jordan on piano and me on acoustic guitar. Later, Famous Amos Garrett added that amazing electric guitar part and solo, which in some circles is as famous as the song itself. Warner’s released the album and then Midnight as the first single... they hung in there with it for something like nine months until it took off.... that might not happen today... the rest is herstory as they say..."

In an interview with Maria, she explained: “I was making my first solo album for Warner Brothers in 1973, and I had just recently separated from my then-husband, Geoff Muldaur, who not only was my partner, but also my musical partner, and sort of the mastermind of, musically, whatever we did together. So being a solo artist was completely strange and alien and rather scary territory for me.

And so I was out in California finding myself in the studio with all the top guns: Dr. John, Ry Cooder, David Lindley; I mean, all the fabulous guys that played on my first album. And I had been working with a young guitarist named David Nichtern when I first separated from Geoffrey. He was very encouraging and told me, 'You can do this.' I was just sobbing and I was a mess. We had a little talk and he would say, 'Look, people still know you from the Jug Band, and if I can get work in these little coffee houses, you can, too.' And so we put together a few tunes, and he got us some gigs. This was real low-profile stuff. I'd be crying all the way up to the gig, and he'd say, 'Okay, dry your eyes and wash your face. We're on in half an hour.' And he was just a very supportive little brother to me.

And so when I found myself out in California doing this solo album, I was going to do one of his songs. He's a very lovely songwriter and he'd written this beautiful song called 'I Never Did Sing You a Lovesong.' Very lyrical little waltz-y, kind of a country waltz kind of thing. And he knew I had all these really fabulous musicians at the studio. But he came out on his own dime, because he just felt, well, maybe they'll let him play rhythm guitar on his own tune or something. So he came on out in his little VW bug and slept on a mattress on my living room floor in the Hollywood Hills and came to the studio, was observing everything, and did get to play on his own song.

And then we were almost finished recording, the producer came in the studio and said, 'You know, I've been listening to the rough mixes, and I think we're in pretty good shape.' He said, 'You know, we've got some up tempo stuff and we've got some nice ballads. I think if we had one more medium tempo song, then the album would be nicely balanced out, we'd be in good shape. Does anything come to mind?'

So David was standing right there, and just off the top of my head, kind of as a gesture of gratitude to him because he had been so supportive to me, kind of holding my hand through all of this, which was very overwhelming, you know, I'd never been in that position before of being a solo artist and trying to make my way through an album that was all about me. And I said, 'Well, David has this song. It's a funny little song, really, but it is medium tempo.' I said, 'David, play them 'Midnight at the Oasis' and see what you think.' Which I'd heard before and I thought it was just a goofy little song; I didn't think much of it one way or the other. So he whipped out his guitar and started to play it on the guitar, and I sang it. And the producer cocked his head, he said, 'Oh, that's cute, okay, wanna do that one?' So as a gesture to David, I said, 'Yeah, let's do that one. I have no other bright ideas.' And we called in some great studio players and we cut it. And the rest is history."

After “Midnight At The Oasis” had been a hit Maria came back in 1974 with her second hit “I’m A Woman,” which made it to #12 on the US single chart. Saving her from being a one hit wonder.

"Midnight At The Oasis"

Amazon link to “Maria Muldaur”: CLICK HERE