Tuesday, April 25, 2017

Marvin Gaye - What's Going On (1971)

“What’s Going On” by Marvin Gaye (1971)

Release Date: May 21, 1971
Produced by Marvin Gaye
Chart Positions: #6 (US), #10 (Germany), #56 (UK)
Certifications: Platinum (UK), Gold (US)
Singles: “What’s Going On #2 (US), #6 (Brazil), #7 (France), #10 (Canada), #80 (UK), “Mercy Mercy Me” #4 (US), #2 (France), #12 (Canada), #15 (Brazil), “Inner City Blues” #9 (US, France), #11 (Canada)

What's Going On is Marvin Gaye’s eleventh studio album, released May 21, 1971, on the Motown-subsidiary label Tamla Records. Recording sessions for the album took place in June 1970 and March–May 1971 at Hitsville U.S.A., Golden World and United Sound Studios in Detroit and at The Sound Factory in West Hollywood, California. What's Going On was the first album on which Motown Records' main studio band, the group of session musicians known as the Funk Brothers, received an official credit.


The first Marvin Gaye album credited as being produced by the artist himself, What's Going On is a unified concept album consisting of nine songs, most of which lead into the next. It has also been categorized as a song cycle; the album ends on a reprise of the album's opening theme. The album is told from the point of view of a Vietnam War veteran returning to the country he had been fighting for, and seeing only hatred, suffering, and injustice. Gaye's introspective lyrics discuss themes of drug abuse, poverty, and the Vietnam War. He has also been credited with discussing global warming before it became a hot topic .

What's Going On was an immediate success upon release, both commercially and critically. Having endured as a classic of 1970s, a deluxe edition set was released on February 27, 2001, and featured a rare recording of a May 1972 concert shot at Washington, D.C.'s Kennedy Center. Worldwide surveys of critics, musicians, and the general public have shown that What's Going On is regarded as one of the landmark recordings in pop music history, and one of the greatest albums of the 20th century. The album was ranked number six both on Rolling Stone's 2003 list of the "500 Greatest Albums of All Time", and in the magazine's update nine years later.

Selling more than 2 million copies “What’s Going On” was one of the first Motown albums to sell in large amounts. Previously most Motown artists had lots of hit singles but album sales were secondary. After Gaye artists such as Stevie Wonder, Temptations, Commodores and others released albums that were multi-million sellers.

While traveling on his tour bus with the Four Tops on May 15, 1969, Four Tops member Renaldo "Obie" Benson witnessed an act of police brutality and violence committed on anti-war protesters who had been protesting at Berkeley's People's Park in what was later termed as "Bloody Thursday". A disgusted Benson later told author Ben Edmonds, "I saw this and started wondering 'what was going on, what is happening here?' One question led to another. Why are they sending kids far away from their families overseas? Why are they attacking their own kids in the street?" Returning to Detroit, Motown songwriter Al Cleveland wrote and composed a song based on his conversations with Benson of what he had seen in Berkeley. Benson sent the unfinished song to his band mates but the other Four Tops turned the song down. Benson said, "My partners told me it was a protest song. I said 'no man it's a love song, about love and understanding. I'm not protesting. I want to know what's going on.'"

Benson and Cleveland offered the song to Marvin Gaye when they met him at a golf game. Returning to Gaye's home in Outer Drive, Benson played the song to Gaye on his guitar. Gaye felt the song's moody flow would be perfect for The Originals. Benson, however, felt Gaye could sing it himself. Gaye responded to that suggestion by asking Benson for songwriting credit of the song. Benson and Cleveland allowed it and Gaye edited the song, adding a new melody, revising the song to his own liking, and changing some of the lyrics, reflective of Gaye's own disgust. Gaye finished the song by adding its title, "What's Going On". Benson said later that Gaye tweaked and enriched the song, "added some things that were more ghetto, more natural, which made it seem like a story and not a song... we measured him for the suit and he tailored the hell out of it." During this time, Gaye had been deeply affected by letters shared between him and his brother after he had returned from service over the treatment of Vietnam veterans.

Gaye had also been deeply affected by the social ills that were then plaguing the United States at the time, even covering the track, "Abraham, Martin & John", in 1969, which became a UK hit for Gaye in 1970. Gaye cited the 1965 Watts riots as a pivotal moment in his life in which he asked himself, "with the world exploding around me, how am I supposed to keep singing love songs?" One night, Gaye called Berry Gordy about doing a protest record while Gordy vacationed at the Bahamas, to which Gordy chastised him, "Marvin, don't be ridiculous. That's taking things too far."

Reuniting at their parents' suburban D.C. home, Marvin's brother Frankie discussed the events of his tenure at Vietnam, detailing experiences that sometimes left the two brothers consoling each other in tears. After Frankie explained witnessing violence and murder before he was to depart back to the states, he recalled Marvin sitting propped up in a bed with his hands in his face. Afterwards Marvin told his brother, "I didn't know how to fight before, but now I think I do. I just have to do it my way. I'm not a painter. I'm not a poet. But I can do it with music."

In an interview for Rolling Stone magazine, Marvin Gaye discussed what had shaped his view on more socially conscious themes in music and the conception of his eleventh studio album:
“In 1969 or 1970, I began to re-evaluate my whole concept of what I wanted my music to say.... I was very much affected by letters my brother was sending me from Vietnam, as well as the social situation here at home. I realized that I had to put my own fantasies behind me if I wanted to write songs that would reach the souls of people. I wanted them to take a look at what was happening in the world.”
— Marvin Gaye

The song “What’s Going On” was released as a single in January 1971, several months before the album, and immediately zoomed up the charts. The song topped the US soul singles for five weeks. Gaye entered the recording studio, Hitsville USA, on June 1, 1970 to record "What's Going On". Instead of relying on other producers to help him with the song, Gaye, inspired by recent successes of his productions for the vocal act, The Originals, decided to produce the song himself. “What’s Going On” marked Gaye's departure from the Motown Sound towards more personal material. This was one of the first Motown songs to make a powerful political statement. Stevie Wonder and the Temptations were also recording more serious and challenging material, which was a radical departure from the Motown hits of the '60s. "What's Going On" (the song) was inducted into the Grammy Hall of Fame in 1998. "Mercy, Mercy Me" was inducted in 2002.

"What's Going On" (1971)

The second single “Mercy, Mercy Me (The Ecology)” was the second single release from the album and followed the success of “What’s Going On” made it to #4 on the US chart. Many years before global warming became a hot topic, Marvin Gaye wrote this song about the environment and how we have an obligation to care for the Earth.

The third and final single “Inner City Blues (Make Me Wanna Holler)” continued Gaye’s chart success reaching #9 in the US. Written by Gaye and James Nyx Jr., the song depicts ghetto life and bleak economic situations of inner-city America, and the emotional effects these have on inhabitants. The song helped Gaye make history by being one of the few artists to have three or more Top 10 songs on Billboard's Pop Singles chart peaking at #9 and one of the first to have three consecutive #1 hits on Billboard's R&B Singles chart where it stayed for two weeks. Although not certified by the RIAA at that time, all three releases from the What's Going On album gained Gold status by selling over 1,000,000 copies each in the US.

Album highlight “God Is Love” is a stirring ballad which was a return of sorts to Gaye's religious background dedicating this song to God and his father, Marvin Gay, Sr. The song was originally recorded as the B-side to "What's Going On" shortly after that song was recorded.

“What’s Happening Brother?” continues the song cycle, that begins with the song “What’s Going On,” about a man returning home from fighting in the Vietnam War only to discover that his world is abstractly different from what it used to be before he left for duty. In Marvin's case, the song was dedicated to his younger brother, Frankie, who was returning from a three-year duty in Vietnam. Musically the song follows the same path as "What's Going On" and features The Andantes as background vocalists.

“Flying High (In The Sky)” continued a song cycle begun with the previous track, "What's Happening Brother" after that song ended with the lyric, "Cause I'm slightly behind the time", creating a moody and ominous sound punctuated by the singer's falsetto. Co-written with wife Anna Gordy and confidant Elgie Stover, the song talked about drug addiction, particularly heroin, as heard in the lyric, "I know I'm hooked my friend/to the boy who makes slaves out of men".

Marvin Gaye (1971)


MARVIN GAYE

Saturday, April 22, 2017

Bonnie Raitt - Give It Up (1972)

“Give It Up” by Bonnie Raitt (1972)

Release Date: September 1972
Produced by Michael Cuscuna
Chart Positions: #138 (US)
Certifications: Gold (US)
Singles: “Too Long At The Fair”

“Give It Up” was the second album release for the 22-year-old Bonnie Raitt. Her first album, a straight up blues affair titled “Bonnie Raitt,” released in 1971 failed to chart but managed to capture the attention of several music luminaries of the time.


Transitioning to her second album Raitt strengthened her recognizable style. When she went into the studio to record “Give It Up” Raitt had a new advantage from the attention she garnered with her first album. She hired producer Michael Cuscuna, a musician with a strong background in jazz. Along with recording Bonnie Raitt, Cuscuna’s also produced several albums throughout the 70s for jazz musician Dave Brubeck. Cuscuna’s brought in notable musicians such as Paul Butterfield (Butterfield Blues Band), Eric Kaz (songwriter of “Love Has No Pride” and several other hits), and Dave Holland (prolific jazz musician).

“Give It Up” maintained Raitt’s R&B and blues background melding it with a contemporary Californian soft-rock and folk sound.

“Too Long At The Fair” was released as a promo single in the US, Canada and the UK to promote the album. Early in the 1970s Bonnie Raitt's manager, Dick Waterman, dropped into Passim (Club 47) in Cambridge, attempting to get a booking for Raitt. While Waterman and the club owner were discussing the booking, he heard Joel Zoss sing "Too Long at the Fair." After the show Waterman introduced himself and asked for a tape of the song to play for Raitt. Raitt recorded the song along with another Zoss composition “I Gave My Love A Candle” which appeared on her 1973 album “Takin’ My Time.”

The title track, “Give It Up or Let Me Go,” written by Bonnie Raitt, opens with Raiit’s blues filled acoustic guitar and quickly works into a New Orleans Dixieleand Jazz celebration.

"Give It Up Or Let Me Go"

Eric Kaz’s “Love Has No Pride” closes the album. Raitt’s somber folksy blues rendition gave life to a song which was recorded a year later by Linda Ronstadt for her 1973 album “Don’t Cry Now.” Ronstadt released the song as a single and achieved minor chart success with it.





BONNIE RAITT

Wednesday, April 19, 2017

Santana - Caravanserai (1972)

“Caravanserai” by Santana (1972)

Release Date: October 11, 1972
Produced by Carlos Santana, Mike Shrieve
Chart Positions: #8 (US), #3 (Netherlands), #6 (UK), #7 (Holland), #10 (Norway), #11 (Australia), #13 (Denmark), #15 (Italy)
Certifications: Platinum (US), Gold (Canada, France)
Singles: “Song of the World”

Caravanserai is the fourth studio album by Santana released in October 1972. It marked a major turning point in Carlos Santana's career as it was a sharp departure from his critically acclaimed first three albums. Original bassist David Brown left the group in 1971 and was replaced by Doug Rauch and Tom Rutley, while original percussionist Michael Carabello left and was replaced by Armando Peraza. Keyboardist/vocalist Gregg Rolie, who was having a falling-out with Santana, was replaced by Tom Coster on a few songs. The album also displayed a change stylistically. While Santana maintained his Latin rock signature sound he put a broader focus on a jazz-fusion twist.  Caravanserai reached #8 in the Billboard 200 chart and #6 in the R&B Albums chart in 1972.


The sound contrasted greatly with Santana's trademark fusion of salsa, rock, and jazz, and concentrated mostly on jazz-like instrumental passages. All but three tracks were instrumentals, and consequently the album yielded no hit singles. The album is the first among a series of Santana albums that were known for their increasing musical complexity, marking a move away from the popular rock format of the early Santana albums towards a more contemplative and experimental jazz sound. While Caravanserai is regarded as an artistic success, the musical changes that began on its release in 1972 marked the start of a slide in Santana's commercial popularity. This album has been mixed and released in both stereo and quadraphonic.

Caravanserai is daring even by Santana's high standards. Carlos Santana was obviously very hip to jazz fusion -- something the innovative guitarist provides a generous dose of on the largely instrumental Caravanserai. Whether its approach is jazz-rock or simply rock, this album is consistently inspired and quite adventurous. Like the type of jazz that influenced it, this pearl (which marked the beginning of keyboardist/composer Tom Coster's highly beneficial membership in the band) requires a number of listenings in order to be absorbed and fully appreciated.

It was the last Santana album to feature Gregg Rolie and Neal Schon, who went on to form Journey the following year.

“Song of the Wind” is the only single release from the album. Though the song failed to chart it displays the fine musicianship Santana came to be known for. The song is driven by Carlos Santana’s lead guitar and is an excellent example of his fluid ability on the guitar.

"Stone Flower" (1972)

Antonio Carlos Jobim wrote “Stone Flower” an album highlight with lyrics by Carlos Santana and Michael Shrieve. The Brazilian musician, Antonio Carlos Jobim, is best known for his samba and bossa nova compositions. “Stone Flower” first appeared in 1970 as an instrumental on Jobim’s album of the same name. Jobim is also known as one of the cowriters of the 1964 classic “The Girl From Ipenema.”

Santana (1972)



SANTANA

Monday, April 17, 2017

Thelma Houston - Any Way You Like It (1976)

“Any Way You Like It” by Thelma Houston (1976)

Release Date: October 28, 1976
Produced by Hal Davis, Michael L. Smith, Michael Sutton, Harold Johnson, Joe Porter, Clayton Ivey, Terry Woodford, Michael Masser, Ronald Miller, William Goldstein
Chart Positions: #11 (US), #21 Sweden, #25 Denmark
Certifications: N/A
Singles: “I Don’t Know Why I Love You,” “Don’t Leave Me This Way” #1 (US, South Africa), #4 (Canada, Netherlands, Sweden), #5 (Germany), #6 (Australia), #7 (Belgium), #11 (Spain), #13 (France, UK), #15 (Italy), #17 (New Zealand), #18 (Austria), “Anyway You Like It,”  (no chart data), “If It’s The Last Thing I Do” #46 (US), #81 (Canada)

Any Way You Like It is the fourth album by Thelma Houston, released late October 1976 on Tamla Records. The album features energetic disco songs with fierce vocal performances by Houston on side 1, while side 2 focuses on ballads.


In 1976, Motown gave the go ahead on a second album for Thelma, assembling it from the various sessions she had undertaken since her first LP with producers including the teams of Hal Davis and Michael Sutton, and Clayton Ivey and Terry Woodford. The album includes the major hit single, "Don't Leave Me This Way", Houston's remake of the Harold Melvin & the Blue Notes 1975 song, zoomed to No. 1 in the US charts. In the US, "If It's the Last Thing I Do", a track originally recorded in 1972, was chosen for the second single release on MoWest, while Europe had an edited version of the Stevie Wonder cover, "I Don't Know Why I Love You".
A re-recorded version of "Don't Leave Me This Way" was #19 on the dance charts in December 1994.
Arthur G. Wright, Michael L. Smith, Harold Johnson, Paul Riser, Clayton Ivey, Ted Stovall and Terry Woodford arranged the album.

“Don’t Leave Me This Way,” a song which first appeared on Harold Melvin and the Blue Notes 1975 album “Wake Up Everybody” was released as a single by them in 1977 shortly after Thelma Houston’s disco version hit the charts. The Blue Notes' original version of the song, featuring Teddy Pendergrass' lead vocal was not issued as a single in the United States at the time, the Blue Notes' recording reached #3 on the US Billboard Disco Chart in the wake of Thelma Houston's version. The song proved to be the group's biggest hit in the UK, #5 on the UK singles chart, when released there as a single in 1977. Motown covered “Don’t Leave Me This Way” in 1976. Originally assigned to Diana Ross, it was intended to be the follow-up to her hit "Love Hangover" but was reassigned and given to the upcoming Motown artist Thelma Houston instead. Studio musicians on the track included James Gadson on drums, Henry E. Davis (of the band L.T.D.) on bass, and John Barnes on keyboards.
Houston's version became a massive international hit, topping the soul singles and disco charts as well as reaching #1 on the US singles chart for one week in April 1977. The song peaked at #13 in the UK. Later in the year, it was featured on the soundtrack of the movie, Looking for Mr. Goodbar. In 1978, "Don't Leave Me This Way" won the award for Best R&B Vocal Performance, Female at the 20th Annual Grammy Awards.

"Don't Leave Me This Way"

The album’s next single “Any Way You Like It” was co-written by Thelma Houston but failed to chart. Soon after the fourth single, “If It’s The Last Thing I Do,” a song that Thelma Houston first recorded in 1972 for Motown offshoot label Mowest. The song was never released but Houston gave it another try for her 1976 album and as a single was a moderate success reaching #46 in the US and #81 in Canada. The song also reached #12 on the US R&B chart. The song was recorded by Frank Sinatra in 1957 for his album “Close To You” but was not included on the album. His version was finally released in 2002 as a bonus track on the expanded edition of the album.

One of the album’s more soulful and funky cuts the Stevie Wonder-penned “I Don’t Know Why I Love You” displays Houston’s Gospel vocal abilities. The song was the first single to be released from “Any Way You Like It,” but was only released throughout Europe. Wonder’s version simply titled “I Don’t Know Why” was recorded and released in 1968 on his album “for Once In My Life.” Wonder released it as a single and experienced minor success with the song reaching #39 in the US, #41 in Canada and #14 in the UK.

“Come To Me,” a shimmering ballad and album highlight was co-written by Jermaine Jackson.

Thelma Houston (1976)




THELMA HOUSTON

Saturday, April 15, 2017

The Jam - In The City (1977)

“In The City” by The Jam (1977)

Release Date: March 20, 1977
Produced by Vic Smith and Chris Parry
Chart Positions: #20 (UK)
Certifications: N/A
Singles: “In The City” (#40 UK)

In the City is the debut studio album of British mod revival/punk rock band The Jam. It was released in 1977 by Polydor Records and featured the hit single and title track "In the City".
Paul Weller's guitar style on the album is very much influenced by Wilko Johnson and Pete Townshend. The album includes two cover songs, "Slow Down" (the Larry Williams song made famous as recorded by The Beatles for their 1974 album "Something New") and the theme to the 1960s television series, Batman.


“In The City” offers a good balance between the forward-looking, "destroy everything" aggression of punk with a certain reverence for '60s beat and R&B. In an era that preached attitude over musicianship, the Jam bettered the competition with good pop sense, strong melodies, and plenty of hooks that compromised none of punk's ideals or energy, plus youth culture themes and an abrasive, ferocious attack.

"In the City" was the debut single by English mod revival/punk rock band The Jam from their album of the same title. It was released on 29 April 1977 and reached No. 40 on the UK Singles Chart in May 1977, making it their first Top 40 single and the beginning of their streak of 18 consecutive Top 40 singles. While only a minor hit on the charts, the song was the UK's first introduction to The Jam, and was characteristic of Paul Weller's youth anthems—mod-influenced celebrations of British youth—that dominated the band's early output.

"In The City"

Musically, the song is in the vein of the band's first album, a mod/punk number influenced by The Who's early music, but with an energy and attitude updated for the punk era. "In the City" borrowed its title from an obscure Who song of the same name, which was released in 1966 as the B-side of the "I'm a Boy" single (and which can now be found as a bonus track on most CD re-issues of their 1966 album A Quick One).

Lyrically, the song is a celebration of youth in the big city, and of what Paul Weller called the "young idea", reflecting Weller's optimism for the punk movement. There was also a direct reference to police brutality: "In the city there's a thousand men in uniform/And I hear they now have the right to kill a man".

The Jam (1977)




THE JAM

Thursday, April 13, 2017

Robin Trower - Bridge of Sighs (1974)

“Bridge Of Sighs” by Robin Trower (1974)
Release Date: April 20, 1974
Produced by Matthew Fisher
Chart Positions: #1 (UK, Australia, Canada, Norway, New Zealand, Sweden), #2 (US), #5 (Netherlands), #23 (Japan), #29 (Germany)
Certifications: Gold (US) Silver (UK)
Singles: “Too Rolling Stoned”
Label: Chrysalis

Bridge of Sighs is the second solo album by the English guitarist and songwriter Robin Trower. It was released in 1974. Bridge of Sighs, his second album after leaving Procol Harum, was a breakthrough album for Trower. Songs from this album, such as "Bridge of Sighs", "Too Rolling Stoned", "Day of the Eagle", and "Little Bit of Sympathy", have become live concert staples for Trower.
The album was produced by organist Matthew Fisher, formerly Trower's bandmate in Procol Harum. Acclaimed Beatles engineer Geoff Emerick was this album's sound engineer.



In an interview with Guitar World, Robin Trower explained how the album got its title. Robin said that he had had the first line of the song for years and then one day he saw some sport pages which listed a racehorse called Bridge of Sighs and thought that would be a great title.

Bridge of Sighs (Chrysalis 1057) reached #7 in the UK during a chart stay of 31 weeks. It was certified Gold on 10 September 1974. Early printings of the original album cover had the front image upside-down, and were more greenish in colour.

“Bridge of Sighs” is Robin Trower’s career watermark. It is his highest charting UK album. “Bridge of Sighs” was a throwback to the ’60s. Even if it was behind the times, the Cream and Jimi Hendrix inspiration resonates, particularly on the LP bookends, “Day of the Eagle” and “Little Bit of Sympathy,” and “Lady Love,” which is reminiscent of Free.

Even the liquid dreamscapes conveyed by the brilliantly languid title track and “In this Place” seem to hearken back to the previous decade, which quite possibly explained why they connected deeply with listeners still mourning for the quickly fading, unfulfilled promises of the Summer of Love. As such, just as the real Bridge of Sighs, located in Venice, Italy, had once transported medieval convicts from court to gallows, Trower’s masterwork carried the musical ghosts of the ‘60s into the new decade, before paying them a teary goodbye forever.

“Too Rolling Stoned” was the only single release from the album. The song failed to chart but has become a favorite of Trower fans.

"Too Rolling Stoned"


Robin Trower (1974)




ROBIN TROWER

Tuesday, April 11, 2017

Television - Adventure (1978)

“Adventure” by Television (1978)

Release Date: April 1978
Produced by John Jansen and Tom Verlaine
Chart Positions: #7 (UK)
Certifications: N/A
Singles: “Foxhole” (#36 UK), “Glory” (No chart data), “Ain’t That Nothing” (No chart data)

“Adventure” was the second album release for the New York City formed proto-punk band Television. The album was released in April 1978. It was issued in standard black vinyl in the US, but in red vinyl (matching the cover and inner sleeve) in the UK.


“Adventure” exposes a softer side of the band than their first album “Marquee Moon,” which in the end only enhances the talents and versatilities of this rock guitar driven band. “Adventure” is a brilliant work of the 70s that deserves more recognition than it has received. The guitar work is outstanding with its nuances and intensity well displayed in the performances by Tom Verlaine and Richard Lloyd. Television blends guitar punk with a garage band rawness that gives the music a certain sort of soul and intimacy that doesn’t exist with the more popular polished bands of the time. Some of the songs are similar to Magazine meets the Rolling Stones.

There isn't a weak song on the album each song flows together creating a work of music that is reflective yet maintaining an uptown type punk rock emotion. "Carried Away", the best ballad on the album, floats away on an organ instead of a guitar; "The Fire" is a melodramatic piece that is defines the band’s introspectiveness.

The merry martial beat and blithe vocal harmonies of "Careful," conjure up memories of folk-rock pop ditties of the 60s such as the Turtles’ “Happy Together.”

Tom Verlaine as always is, a unique and masterful guitarist who doesn't play lines so much as shape them with a sculptor's deliberation. A connoisseur of timbres, he draws on everything from a Middle Eastern jangle to the blues to a crystalline tinkle to achieve — on a song like "The Dream's Dream" — an encyclopedic but unified grandeur.

“Foxhole” the first single from the album was a top 40 hit in the UK reaching #36. The anti-war song opens with the crisp and clear guitar chords of Tom Verlaine and works into his always-recognizable lead vocals.

"Foxhole"

The second and third singles “Glory” and “Ain’t That Nothing” both failed to chart but remain highlight on the album.

Television (1978)




TELEVISION